In the realm of rock music, Slash, known for his iconic Les Paul and trademark cigarette-smoking aura as a member of Guns N’ Roses, epitomizes a fading archetype. He stands as a legendary figure of the fretboard, a classic lead guitarist reminiscent of Jimmy Page and Jimi Hendrix, a breed of musician whose mythic stature finds few parallels in the modern age.
In the contemporary musical landscape, artists like Slash, who blend a deeply rooted blues sensibility with high-octane virtuosity, are becoming increasingly rare. Modern players lean toward minimalism, focusing on sonic textures and harmoniously serving the song, as opposed to imposing their individuality on the music. This transformation is not to be criticized but rather a reflection of the evolution of music in today’s world. The egotism and flamboyant personas of yesteryears have given way to a more restrained and pseudo-intellectual approach.
The days of bands akin to Guns N’ Roses may never be reproduced, with the tepid reception of their headlining performance at Glastonbury 2023 being yet another indication of a changing of the guard. Contemporary groups that emerge in the hard-rock mold of Guns N’ Roses often come across as more caricature than serious musicians, but this should not diminish their place in the annals of rock history. It is especially true for Slash, who, without a doubt, was their linchpin.
From the iconic “Sweet Child O’ Mine” to the underrated gem “Double Talkin’ Jive,” Slash’s repertoire is a testament to his technical prowess and a profound understanding of a wide spectrum of musical genres. His impact transcends fan loyalty to his band; he is a stylistic successor to the guitar virtuosos of bygone eras, a testament to his enduring legacy even when Guns N’ Roses’ star has waned.
The notion that Slash is among the last of the traditional lead guitarists is a concept he acknowledges. In a 2007 interview with Guitarist, when asked if the era of the “guitar hero” lead player is in decline, Slash confessed that he couldn’t predict the future of the instrument. However, he did suggest that Zakk Wylde, known for his work with Black Label Society and Ozzy Osbourne, stands alongside him as one of the last guardians of this tradition.
Slash stated, “By the time Guns N’ Roses came on the scene, the entire LA music scene had watered down guitar in a way that I understood it. Then, in the ’90s, we saw a surge of great bands that weren’t necessarily driven by lead guitar. From the mid-’90s to today, we witnessed a blend of pop bands. So, the era of the guitar hero has somewhat faded – thankfully, Zakk is still here. I think Zakk and I are the last of the Les Paul-wielding guitarists!”
