Enthusiasts of 1980s science fiction classics, including the team at Meris, will find the MercuryX to be more than just a nostalgic nod. Building on the success of the Mercury7, which drew inspiration from Vangelis’ Blade Runner score, Meris has expanded their repertoire with the MercuryX—a pedal housed in the same double-wide chassis as their innovative LVX model.
Equipped with advanced technology such as an ARM processor, high-quality analog signal path, and 24-bit AD/DA with 32-bit floating point DSP, the MercuryX offers eight custom reverb algorithms. These include Ultraplate, Cathedra, 78 Room, 78 Plate, 78 Hall, Spring, Prism, and Gravity, each configurable to deliver anything from subtle spring-like drips to rich, cinematic sci-fi reverbs reminiscent of the 1980s.
Navigating through its 99 preset locations across 33 user banks is facilitated by a user-friendly interface featuring a full-color LCD screen—a familiar hallmark of Meris pedals.
In terms of sound quality, the MercuryX impresses with presets like Tape Symphony, which evokes ethereal synth-like pads, and Spectrum Shift, delivering a vibrant, hi-fi shimmer. Amp Room showcases the pedal’s subtler capabilities, offering a realistic simulation of amp reflections in a spacious environment, adding a layer of depth and realism that enhances musicality.
When paired with other pedals like the Meris LVX, the MercuryX expands creative possibilities, enabling users to craft ambient pitch shift delays and immerse themselves in dark, 80s sci-fi atmospheres—an experience unparalleled by conventional big box combos.
Comparing the MercuryX to the Strymon BigSky reveals distinct philosophies: while both are high-end reverb pedals, the MercuryX stands out for its innovative approach and boundary-pushing capabilities. Like the replicant owl in Tyrell’s office, this innovation comes at a premium price, reflecting its unique position in the market as a profoundly musical and artistically compelling reverb pedal.
For those seeking alternatives, the Mercury7 remains a compelling option for a slightly more accessible take on the Blade Runner-inspired reverb. Alternatively, the Strymon BigSky MX and Chase Bliss CXM 1978 offer different sonic profiles, catering to varied preferences and budgets within the realm of big box reverbs.
In conclusion, the Meris MercuryX isn’t just another reverb pedal; it’s a testament to Meris’ commitment to pushing the boundaries of musical innovation, offering a distinctly immersive experience that resonates with fans of both sci-fi nostalgia and cutting-edge sound design.
