Germaine Tailleferre’s Piano Trio, a captivating composition by the prolific 20th-century composer (1892-1983), offers not only distinctive charm but also a perfect length for a concert opener at around 13 minutes.
This work has an intriguing history of composition. While its first and third movements date back to 1916-17, the piece wasn’t completed and published until 1978, showcasing Tailleferre’s enduring creative spirit and prolific output throughout her lengthy career. Known for her youthful vigor, as noted by her friend Darius Milhaud, she was fondly described as “always 20 years old.”
It’s easy to fall into the trap of comparing lesser-known pieces to the influences of other composers, such as assuming admiration for Fauré or influence from Ravel. However, Tailleferre’s musical language is uniquely persuasive and original, reflecting a neoclassical synthesis of ancient and traditional styles with contemporary Impressionism, jazz, industrial sounds, and cultural influences from Japan and Bali, popularized by Debussy.
As the only female member of ‘Les Six’, a group of Parisian composers loosely united by Jean Cocteau and Erik Satie, Tailleferre faced significant societal challenges in forging her musical career. She even changed her surname from Taillefesse, in defiance of her unsupportive father, and endured two brief marriages to husbands who belittled her talents.
The Trio is particularly notable for its coherence despite being composed across different epochs of the 20th century. It maintains a consistent aesthetic and language, enriched by inspired thematic material in its second and fourth movements. The first movement resonates with lyrical ardor reminiscent of Fauré, culminating in echoes of Gamelan percussion. The second movement delights with sharp contrasts and whimsical humor, blending medieval plainchant with nursery rhyme innocence. The third movement exudes a French salon ambiance, lightly infused with jazz influences. Closing with a final movement akin to Ravel’s playful spirit, it features twinkling percussive touches and a distinctive Gamelan flourish.
Renowned for its rich and imaginative material, Tailleferre’s Piano Trio poses challenges that test the virtuosity of all three performers. Despite challenges in performance editions, with the 1980 French edition noted for inconsistencies, the rewards of mastering this work are undeniable, offering a deeply satisfying musical experience.
