Defining power metal can be challenging, but when a power metal song plays, it’s instantly recognizable. One of the leading bands in the genre today is Frozen Crown, an Italian group that elevates the power metal formula while maintaining a unique sound. This is evident in their recently released single “Steel and Gold,” the first track from their upcoming album “War Hearts.”
As fans eagerly await the release of their fifth album, the band’s guitarist Federico Mondelli took the opportunity to share his thoughts on what he considers the top six power metal solos of all time.
Symphony X – Paradise Lost
Federico Mondelli acknowledges that many guitarists immediately think of “Sea of Lies” when they hear the name Michael Romeo, as it’s an iconic solo that has influenced generations. However, he expresses a preference for the “Paradise Lost” solo, which showcases all of Romeo’s legendary techniques. He admires the balance between fast, precise picking and beautifully expressive melodies. Mondelli regards this solo as his favorite of all time, highlighting its well-rounded nature and the brilliance of the guitarist behind it.
Angra – Nothing to Say
According to Mondelli, this solo, alongside its memorable guitar riff, is likely considered Kiko Loureiro’s finest work. After nearly 30 years, countless aspiring guitarists still strive to replicate the magic of “Nothing to Say.” Mondelli notes that Loureiro himself refers to the guitar parts from this song as his most requested.
Blind Guardian – Mirror Mirror
Mondelli points out that some guitar solos stand out for their technical complexity, while others excel at telling a story. “Mirror Mirror” is a narrative conveyed not just through its Tolkien-inspired lyrics but also through its intricate riffs, orchestrations, and choirs. The guitar solo in this track exemplifies storytelling through music, transitioning from calm, elongated phrases to intense battle themes, culminating in an epic lead-in to the final chorus.
Sonata Arctica – Black Sheep
Mondelli emphasizes that any guitar solo from the albums Ecliptica or Silence would be a valid choice, given the remarkable work from Jani Liimatainen during that period. However, he opts for one of the more emotional solos, which balances speed with a haunting melody. He describes it as an incredibly tasteful guitar solo that complements an already impressive song filled with quality guitar parts.
Wintersun – Winter Madness
Federico Mondelli raises the question of whether Wintersun’s self-titled debut album should be classified as power metal. He believes it’s limiting to label bands simply based on their vocal styles. While elements of black metal are present, so are neoclassical vibes, epicness, and speed. He cites “Winter Madness” as Jari Mäenpää’s most iconic solo, characterized by its intricate design and ability to lead the song through various tempo changes. Mondelli compares it to the “Mirror Mirror” solo but notes that Mäenpää’s furious leads evoke the stormy essence of winter.
Children of Bodom – Follow the Reaper
Mondelli contemplates whether “Follow the Reaper” fits within the power metal genre, noting that Children of Bodom displays strong power metal influences on this album. The title track opens with an array of inspired guitar leads that contrast with the darker tones of their earlier works. The guitar solo complements a controlled keyboard solo, blending bluesy elements with the clarity of power metal and the rawness of rock ‘n’ roll. He describes the solo as short yet wild, raw, and impetuous, showcasing the precision and thoughtfulness characteristic of Alexi Laiho’s style.
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