On a crisp October evening in Philadelphia, jazz enthusiasts packed the Zellerbach Theater, brimming with anticipation for Joshua Redman’s long-awaited return. Over a decade had passed since Redman’s saxophone last resonated in the city, and the audience buzzed with excitement. As the lights dimmed, the Joshua Redman Group stepped onto the stage. A voice from the darkness called out, “Come on, Josh, I’ve been waiting a long time!” Redman responded instantly, launching into a cascade of sound that set the tone for an unforgettable night.
The performance felt like embarking on a journey, with Redman as the conductor calling, “All aboard!” The audience, akin to eager travelers, settled into the experience. As melodies unfolded, the interplay between piano, bass, saxophone, and drums evoked the rhythmic mechanics of a train traversing America, its first stop: Chicago.
The journey began with a fusion of Count Basie’s “Goin’ to Chicago” and Sufjan Stevens’ “Chicago.” Bassist Philip Norris and drummer Nazir Ebo delivered a steady, heartfelt rhythm, anchoring the adventurous melodies that painted a vivid soundscape of the Windy City.
The group then transported the audience to the “Streets of Philadelphia.” Despite the city reeling from the Phillies’ recent playoff loss, the music rekindled a sense of pride. Redman’s saxophone, paired with Gabrielle Cavassa’s haunting vocals, captured the city’s resilience and spirit. The performance served as a tender tribute to Philadelphia’s unyielding grit, even in the face of disappointment.
Redman himself expressed his deep connection to Philadelphia during a pre-show interview and mid-performance remarks, stating, “Without Philly, there would be no jazz as we know it!” His appreciation for the city was evident, as was the audience’s reciprocal admiration.
Redman’s latest album, where are we, inspired much of the evening’s repertoire. While each track represented a different location across the United States, Redman emphasized that the album aimed to reflect broader aspects of the American and human experience—joys, sorrows, triumphs, and failures. He rejected the notion of the album as merely a concept record, instead focusing on its emotional and thematic depth.
During the performance, this depth was palpable. The group’s interpretations brought unique character to each piece, inviting listeners to explore not only the music but the stories and emotions embedded within it.
One standout moment came with the group’s rendition of “Hotel California.” The arrangement transported listeners to the passenger seat of a 1970s Cadillac Eldorado, cruising toward the iconic Beverly Hills Hotel. Cavassa’s soothing voice and Norris’s bass created a dreamy calm, while Redman’s dynamic saxophone and Ebo’s vigorous drumming captured the song’s underlying intensity. Pianist Paul Cornish added a layer of complexity with a mesmerizing solo, embodying the precarious balance between control and chaos.
Each band member brought their artistry to the forefront, creating a harmonious blend. Nazir Ebo, a Philadelphia native, showcased his rhythmic prowess, seamlessly complementing Redman’s saxophone. The mutual respect among the musicians was evident, as Redman highlighted their contributions throughout the evening.
The evening’s journey continued through New England and Alabama. A stirring rendition of Betty Carter’s “New England” evoked the scenic tranquility of the Northeast, reminiscent of an autumn train ride through vibrant forests. Conversely, the juxtaposition of “Stars Fell on Alabama” and John Coltrane’s “Alabama” presented a powerful contrast. The former, a dreamy ballad, conjured images of a meteor shower in the Southern night. The latter, Coltrane’s somber reflection on the 16th Street Baptist Church bombing, served as a poignant reminder of America’s turbulent history.
As the concert drew to a close, the audience erupted in a standing ovation. Even those initially heading for the exits couldn’t resist staying for the encore. Redman delivered a heartfelt performance of Barry Manilow’s “Could It Be Magic,” leaving the audience with a sense of closure and a lingering desire for more.
The evening’s success lay in the seamless collaboration of the Joshua Redman Group. Each musician’s unique contribution created a sonic journey that transcended time and place. As the final notes faded, one sentiment resonated among the crowd: “Don’t make us wait so long next time, Josh.” After such a breathtaking performance, another decade without Joshua Redman in Philadelphia would indeed be too long to bear.
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