Renowned pianist Krystian Zimerman has described the piano quartet as an often underappreciated gem in music history, noting, “Every great composer wrote some kind of quartet with piano.” This sentiment rings especially true for Johannes Brahms, whose three piano quartets are less frequently performed than his more popular chamber works, such as the piano quintet and piano trios. Of the three, the G minor Piano Quartet remains the most familiar, partly due to Arnold Schoenberg’s celebrated orchestral arrangement from the 1930s.
In their latest album, Zimerman joins forces with violinist Maria Nowak, violist Katarzyna Budnik, and cellist Yuya Okamoto to spotlight the lesser-known Piano Quartets Nos. 2 and 3 by Brahms. Their performance is marked by a sense of refined collaboration and artistic balance, delivering chamber music of the highest caliber. Despite Zimerman’s prestigious reputation, his playing is consistently integrated within the ensemble, never overshadowing the group dynamic.
Whether navigating the turbulent scherzo of the C minor Quartet, Op. 60, or offering delicate support during the lyrical finale of the same piece, Zimerman exemplifies the role of a consummate team player. This recording stands out for its subtlety, cohesion, and interpretive depth—hallmarks of world-class chamber music.
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